
It all started at noon with a pre-movie talk made by
the Jonathan Palevky
who turned out to be quite a funny guy. I was pleased to have finally seen him after many years of hearing his voice on my favorite 91.5 FM.
He talked briefly about Puccini and his operas and said that La Boheme is the most authentic of all Puccini's creations, because he really knew Paris and Parisian life, unlike China or Japan, neither of which he visited, but still wrote about. (Turandot and Madama Butterfly)
As for the movie itself, Mr. Palevsky said: "It's a date movie. If you take your date to see it, and she is not touched by it - she is the wrong date: RUN!"
To that I cynically thought,
"I heard and saw La Boheme too many times to cry about it - so glad I don't have to date anymore, or I would look like a classical wrong date".
Well, my friends, there was not a single dry eye in the room! Starting from Act 2 a lot of sniffling was heard all around the room. A 50-something guy sitting right next to me cried like a baby!
Of course, my eyes were filled with tears more than once. No matter how many times you see and hear an opera, when you watch a movie like this music, camera and good acting get you anyway.
It was a nice movie. A little bit lightweight ,but hei - so is the story.
KUDOS to the cameraman and all the miracles he worked! The night roofs of Paris and the two voices singing Amor, all the scenes in the snow, the changing images, the unexpected angles - simply amazing.
Needless to say, the voices were perfect.
However, there were things that I did not like.
Let me start from the very beginning.
Act 1 was very strange.
We all know what Mimi is supposed to look like. A poor modest girl, already sick, dressed neatly but poorly. And there she was, Mimi, in full Anna Netrebko's beauty and grace, thoroughly made up, wearing a gorgeous burgundy dress, looking like a diva, rather than a poor sick girl. Take a look at this picture to see what I am talking about.

Nobody would blame Rodolfo for falling for her right away - he had to be blind not to. However, it must have taken quite an effort to have fallen for someone like Rodolfo, portrayed by Rolando Villazon.
Again, I am not talking about his voice, which is incredible.
However, not every singer is an actor - we have to accept the fact.
Rolando portrayed a very unattractive and non-poetic Rodolfo.
He was very clowny in the way he moved and gesticulated. I mean, the kind of clown that is both comic and tragic at the same time. On the other hand, along with being clowny, his face expression looked frozen and never changed.
It would be hard to believe that such a Rodolfo could write something better than fireplace material (excuse my sarcasm).
Act 2 was really good. There was enough passion and tragedy to satisfy the strictest viewer. The whole scene in the dusk and snow was very beautiful.
It clearly emphasized the message: Real love never goes away completely. It might change forms, but it never goes away!
Act 3 was amazing! It was so sad and so beautiful.
My favorite moment was when Rodolfo asked Mimi not to exhaust herself with talking, and then, all of a sudden, the movie became black and white and she just looked at him and spoke with her eyes alone. We heard her voice, but she did not move her lips. Instead, she kept looking at Rodolpho with so much expression and intensity, as if her very soul was talking to him. In return, he nodded and talked to her, while she kept looking. Anna is a wonderful actress and she did her best.
Another interesting moment in Act 3 was the last few seconds of the opera, when Mimi died and suddenly the camera flew all the way up, leaving Mimi , as small as a dot, lying down on a couch on a huge bare wooden stage - with no scenery or people around.
All my complements to the cameraman again!
In general, even though I did not think the movie was perfect (I am sure, neither did the critics - therefore, 1,5 stars on Rotten Tomatoes), I still liked it. It was definitely worth seeing it this soon.